Street shots from New Orelans last weekend. All taken with my Leica M-A and Summilux 50 mm f/1.4 Asph., on either Ilford HP5+ or Kodak TriX 400.
CineStill 800T is a relative newcomer to the film market. It’s a tungsten light-balanced film that I mentioned in an earlier post. At that time I had some problems with it, which were related to underexposure in night shots. So a few days and nights in the French Quarter in New Orleans provided a good opportunity to reassess this film. As before, I asked the airport security people to hand-check the film rather than putting it through the X-ray machine, which would fog it, especially when I planned to push it in development.
Like the other CineStill film (50D), this one is based on film produced for the motion picture industry, and has had its anti-halation backing pre-removed so that it can be processed in C41 chemicals.
This time I had it pushed two stops during processing and shot at 1/60 s and f/1.4 on my Summilux 50 mm lens. I kept those exposure settings for the whole roll. The lighting was very difficult to meter with a wide range of brightness ranging from stage spotlights to complete blackness, so I just left the camera on the settings mentioned and took photographs. I’m pleased with how they turned out. This is a film that can make for some dramatic shots especially in an environment like the French Quarter at night with a lot of bright, colorful lighting. One thing to be aware of is the strong halation effect, visible around bright lights as an orange glow. It looks a bit like lens flare, but it’s caused by the removal of the anti-halation layer, which allows light to pass through the film and bounce back off the back pressure plate of the camera. In these kinds of photographs, it can add to the dramatic effect of the scene.
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