My wife and I were in Japan in November for a combined vacation and business meeting. What a fascinating country! We really enjoyed it all. People were friendly, the food was great, and there is such a rich cultural history to explore, even if we were handicapped by not knowing any of the language.
All photos were taken with a Leica M-A, Summilux 50 mm Asph., and Tri-X 400 or Portra 160.
Last weekend’s Grand Old Days (along Grand Ave. in St. Paul, MN) was, as usual, a lot of fun. I put a roll of Ilford Delta 100 film (size 120) into an old Rainbow Hawkeye No. 2 Model C camera to check it out.
These cameras were given free to kids back in the 1930s by Kodak, who sold the film. They have no controls! The shutter speed is fixed at about 1/30 s, the aperture is unknown to me and is not adjustable. It’s the ultimate point and shoot. The viewfinder is almost useless because the mirroring has gone. It’s hard to predict what any photo will look like! Here are a couple I took.
The negative size is a pretty large 6 x 9 cm, so this is definitely medium format. I think I’ll try some more with this camera and mount it on a tripod to avoid the camera shake at the slow shutter speed.
I have a preference of films that I use regularly. For daytime street shooting I use either Kodak Tri-X or Ilford HP5+. I find the ISO 400 speed of these to be very adaptable to a wide range of lighting situations. In general I use a yellow filter and the Sunny 16 rule with B&W films and my Leica M-A, but I do carry a Sekonic light meter for checking the light if I feel unsure about it. I generally use these films at ISO 400, set the shutter speed to 1/500 s and adjust the aperture as needed.
Ilford HP5+ (click to enlarge images)
Nighttime is a very different story. If I want B&W, I’ll use Ilford Delta 3200 and push it 2 stops in processing (no filter used). I nearly always open the aperture all the way to f/1.4 on my Summilux 50 mm lens, and shoot at 1/60 s. With city street lighting this exposure seems to work quite well most of the time.
Ilford Delta 3200 (pushed 2 stops). Click to enlarge images.
I really liked my initial experience with CineStill 800T for night shooting in color. Again, I keep things simple by shooting at 1/60 s and f/1.4 and push 2 stops in processing. The halation effects that I mentioned previously work well for me with street shots and give an interesting and dramatic effect around lights. The film can be used with an 85B warming filter in daylight (with appropriate aperture and shutter speeds) and gives a very nice color palette, at least to my eye. The daylight shots look somehow like older 1960-70s photos, but I like this look.
CineStill 800T (pushed 2 stops). Click to enlarge images.
I have a couple of upcoming visits back to Chicago this summer and will be shooting there again.
Thanks for reading!
Another trip, this time to Savannah, Georgia. Savannah is a beautiful city, filled with history, architecture, friendly people and Southern charm. It’s the location where the novel, “Midnight in the Garden of Good and Evil” was set, a novel that I am now reading. The older part of the city is laid out in a series of squares surrounded by houses, each square with its distinctive character. The Savannah River meanders slowly by the downtown area, and across the river is the state of South Carolina. We had time to make a brief trip to Hilton Head, SC, and the beach area there.
These photos were taken 3 days ago at a downtown Minneapolis protest demanding prosecution of police officers involved in shooting a young black man named Jamar Clark last fall. For background information, see this website. Leica M-A, Summilux 50 mm f/1.4. Click to enlarge.
Update 3/30/16: The prosecutor declined to charge the police officers involved in the shooting.
These were taken at a rally last weekend in St. Paul, MN to protest cuts in union members’ pensions. This is a really bad situation for these people who have retired, are mostly older, and are facing huge cuts in their promised pensions. More details on the story background are on the MPR website. This is story I want to follow up on later this year.
Leica M-A, Summilux 50 mm f/1.4 Asph., Ilford HP+ film. Click on thumbnails to enlarge images.
Street shots from New Orelans last weekend. All taken with my Leica M-A and Summilux 50 mm f/1.4 Asph., on either Ilford HP5+ or Kodak TriX 400.
CineStill 800T is a relative newcomer to the film market. It’s a tungsten light-balanced film that I mentioned in an earlier post. At that time I had some problems with it, which were related to underexposure in night shots. So a few days and nights in the French Quarter in New Orleans provided a good opportunity to reassess this film. As before, I asked the airport security people to hand-check the film rather than putting it through the X-ray machine, which would fog it, especially when I planned to push it in development.
Like the other CineStill film (50D), this one is based on film produced for the motion picture industry, and has had its anti-halation backing pre-removed so that it can be processed in C41 chemicals.
This time I had it pushed two stops during processing and shot at 1/60 s and f/1.4 on my Summilux 50 mm lens. I kept those exposure settings for the whole roll. The lighting was very difficult to meter with a wide range of brightness ranging from stage spotlights to complete blackness, so I just left the camera on the settings mentioned and took photographs. I’m pleased with how they turned out. This is a film that can make for some dramatic shots especially in an environment like the French Quarter at night with a lot of bright, colorful lighting. One thing to be aware of is the strong halation effect, visible around bright lights as an orange glow. It looks a bit like lens flare, but it’s caused by the removal of the anti-halation layer, which allows light to pass through the film and bounce back off the back pressure plate of the camera. In these kinds of photographs, it can add to the dramatic effect of the scene.
Click on the images for larger versions.
Thanks for reading!